Commercial Photography
Campaign stills, product, and portraiture with controlled light. We tether, we plot, and we deliver files that survive print and crop. Retouch is finishing against a grade, not a rescue of underexposure.
Fllect House
Brick light. Quiet pictures.
We work from a brick studio with tall windows. Overcast Belgian light, oak floors, pictures that feel handmade rather than templated. Stills and motion share the same house.
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Fllect House sits in Ghent: brick, linen, a colour desk, a canal two streets away. We produce commercial stills and films that should feel like they were made by people in a room, because they were.
The house is the plot. Windows are the key until they are not. When we add HMI, we do it to match the weather, not to invent a different hour.
Agencies who want neon should not write. Agencies who want a partner for print, site, and a short film in one language should.
“Make pictures that belong to a place — this house, this window — and still travel in a media plan.”
Services
Video Filming
Treatments through principal photography. Coverage is shot for the edit and the grade: protected highlights, matched cameras, and sound that is not an afterthought.
Color Grading
Show LUTs, shot matching, HDR and SDR masters. Stills can live in the same timeline. The brand palette is a decision, not a filter pack.
Post-Production
Picture, sound, titles, and versioning. A sixty-second master and a fifteen-second cutdown should look like siblings, not cousins who stopped speaking.
Walk
We walk the house or the location at the hour of the shoot. Brick, window, weather.
Place
Where the subject stands relative to the window. Furniture is moved for light, not for ‘lifestyle’.
Make
Stills that could hang. Coverage that could cut. Same room.
Sit
Grade in the brick room. If it only looks good in a cave, it is not done.
Send
Masters on linen-named folders. A note in the house hand: what was approved.
Selected
2025 · Fashion
Linen stills for a slow clothing label
Lookbook and a quiet film shot in the house and on cobbles. No street-cast chaos.
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2024 · Hospitality
A brewery that still looks like a brewery
Interiors, portraits, and a three-minute film without fake steam overlays.
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2026 · Design object
Ceramics before the shop opened
A set that existed as bisque. Tabletop in the house, then a short turntable film.
Read the case“It looks like our clothes in a real room. That was harder than we thought.”
Hanne B. · Label founder
“They said no to a drone shot. The film is better for it.”
Jos V. · Agency
“The ceramics stills do not look like a catalogue from nowhere.”
Elke D. · Food editor
12 March 2026
Lighting for mixed stills and motion
How we plot a day that has to yield both a hero still and usable coverage without relighting every setup.
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2 February 2026
Why we grade stills with the film
Matching a retouched still to a show LUT is not a courtesy — it is how a campaign holds together in a media mix.
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18 January 2026
Compositing CGI so it does not announce itself
Product renders fail when the light in the CG does not match the plate. Look-dev starts on set, not in the CGI room.
ReadFllect House
A letter with references and dates. We answer from the house, with a plot and a crew, not a deck of stock.
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